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Jewelry buyers are becoming increasingly aware of the superiority of design and
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We are also seeing heightened interest in earlier jewels. We can’t keep up with requests for fine and unusual early rings, earrings and necklace, fr
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There is also strong interest in more “modern” jewelry -- the 1950’s and 1960’s, both for the classics these periods produced, such as the enameled animals of David Webb, to the more extreme designs featuring raw crystals, spiky designs and heavily textured gold of Andrew Grima or Arthur King.
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The more extreme designs influenced by studio jewelry, and using unusual, often rough stones and experimental gold techniques are still inexpensive, and we have a number of young, artistic clients who find these pieces exciting.
We are constantly approached by stylists for all the important magazines asking to borrow jewelry for editorial shoots. They have been asking for interesting pieces in yellow gold from the 1930’s and 40’s
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Images top to bottom: Cartier, Paris Coral and 18k Gold Rose brooch, ca.1950, Diamond and Emerald Serpent ring, ca. 1925, Antique Diamond necklace, ca. 1885 , Arthur King Baroque Pearl and 18k Gold brooch, ca. 1960, Hermes 18k Gold Floral link necklace, ca. 1960.
Audrey Friedman
This article is copyright- protected, and may not be excerpted or reproduced in any form without the consent of Audrey Friedman at Primavera Gallery NY.
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